This is a bit more awkward for artists to use, but necessary for
a stable solution of the hair continuum calculation. The grid size is
defined by the user, the extent of the grid is then calculated based on
the hair geometry. A hard upper limit prevents bad memory allocation
in case too small values are entered.
Conflicts:
source/blender/physics/intern/BPH_mass_spring.cpp
This is an artifact of earlier attempts to implement velocity smoothing,
but doesn't work anyway.
Conflicts:
source/blender/physics/intern/BPH_mass_spring.cpp
This is a leftover from previous approach of hair collisions (with
insufficient results). The hair volumetrics actually implements
"collision" with solid objects as well, but uses a Neumann boundary
condition on the main grid for this purpose.
This is based on the paper
"Detail Preserving Continuum Simulation of Straight Hair"
(McAdams, Selle, Ward, 2009)
The main difference is that hair line segments are used rather than only
rasterizing velocity at the vertices. This gives a much better coverage
of the hair volume grid, otherwise gaps can be produced at smaller grid
cell sizes and the distribution is uneven along the hair curve.
The algorithm for rasterizing is a variation of Bresenham's algorithm
extended onto 3D grids.
Conflicts:
source/blender/physics/intern/BPH_mass_spring.cpp
solver step.
Calculating forces and jacobians from linearly interpolated grid values
is problematic due to discontinuities at the grid boundaries. The new
approach of modifying velocities after the backward euler solver step
was suggested in a newer paper
"Detail Preserving Continuum Simulation of Straight Hair"
(McAdams, Selle 2009)
Conflicts:
source/blender/physics/intern/BPH_mass_spring.cpp
more intuitive.
Also removed a couple of unused or useless features from the UI:
* collider friction is unused and replaced in favor of true collision
* spring damping refers to structural springs (stretch), which is
not noticable in hair due to extreme stiffness atm.
* pressure factors are not sure since this feature is too unstable atm.
Conflicts:
release/scripts/startup/bl_ui/properties_particle.py
easier.
This code is badly broken and needs to be replaced, but at least having
a workable code structure might help with quick hacks to fix the worst
cases.
shape instead of a brush tool.
The brush cutting tool for hair, while useful, is not very accurate and
often requires rotating the model constantly to get the right trimming
on every side. This makes adjustments to a hair shape a very tedious
process.
On the other hand, making proxy meshes for hair shapes is a common
workflow. The new operator allows using such rough meshes as boundaries
for hair. All hairs that are outside the shape mesh are removed, while
those cutting it at some length are shortened accordingly.
The operator can be accessed in the particle edit mode toolbar via the
"Shape Cut" button. The "Shape Object" must be set first and stays
selected as a tool setting for repeatedly applying the shape.
one solver anyway), and split some particle cloth functions for clarity.
Conflicts:
source/blender/blenkernel/BKE_particle.h
source/blender/blenkernel/intern/particle_system.c
source/blender/blenloader/intern/versioning_270.c
source/blender/makesdna/DNA_particle_types.h
source/blender/makesrna/intern/rna_particle.c
distribution and path caching for child particles.
This gives a significant improvement of viewport playback performance
with higher child particle counts. Particles previously used their own
threads and had a rather high limit for threading. Also threading
apparently was disabled because only 1 thread was being used ...
This is not necessary: the implicit solver data can keep track instead
of how many off-diagonal matrix blocks are in use (provided the
allocation limit is calculated correctly). Every time a spring is
created it then simply increments this counter and uses the block index
locally - no need to store this persistently.
Without this the particle system only shows the actual non-simulated
hairs ("guide hairs") during edit mode. These hairs are used for goals
as well, so showing them in the regular viewport is pretty important.
Also the usual hair curves are interpolated along the entire length,
which makes it very difficult to see exact vertex positions, unless
using exact powers of 2 for the segment number and match the display
steps.
Conflicts:
source/blender/blenkernel/intern/particle.c
The curl radius for children in interpolated mode was calculated using
the total offset from the parent particle. This leads to very large
radii when the distance is large due to sparse parents. Such behavior is
also very unrealistic because the curl radius is mostly constant and
defined by the material properties.
All the child hairs are roughly parallel by default. To simulate the
agglomeration of children into hair wisps the "flatness" parameter is
now used to clump them together.
With the default 5 substeps the simulation can otherwise still become
unstable. This is just a preliminary measure anyway until the length
variance can be fixed properly.
This is more involved than using simple straight bending targets
constructed from the neighboring segments, but necessary for restoring
groomed rest shapes.
The targets are defined by parallel-transporting a coordinate frame
along the hair, which smoothly rotates to avoid sudden twisting (Frenet
frame problem). The rest positions of hair vertices defines the target
vectors relative to the frame. In the deformed motion state the frame
is then recalculated and the targets constructed in world/root space.
derivatives for stabilization.
The bending forces are based on a simplified torsion model where each
neighboring point of a vertex creates a force toward a local goal. This
can be extended later by defining the goals in a local curve frame, so
that natural hair shapes other than perfectly straight hair are
supported.
Calculating the jacobians for the bending forces analytically proved
quite difficult and doesn't work yet, so the fallback method for now
is a straightforward finite difference method. This works very well and
is not too costly. Even the original paper ("Artistic Simulation of
Curly Hair") suggests this approach.
